The incredible journey of ‘Matt and Maya’
by Linda A. Rapka
Sometimes when making a film, what goes on behind the scenes makes for a compelling story all its own. And one would be hard pressed to find a more impressive example than the story of “Matt and Maya.”
It all began at the Motion Picture and Television Fund, a not-for-profit charity located in Woodland Hills founded in 1921 to serve members of the entertainment industry as a retirement and assisted living facility, as well as a creative space for individuals to thrive in their later years. Among the many programs offered to MPTF residents include opportunities to create films and television programs that are broadcast on a closed-circuit station on the property. Continue reading
At once slickly modern and touched by nostalgia, The Bridge Recording stands true to its name as a testament to bridging past and present. Sparing no effort or expense, owner/engineer Greg Curtis opened the doors of his dream vision in 2010. The 6,500 square foot scoring and mixing facility houses an 1,800 square foot stage with 23 foot ceilings, two large ISO rooms and a spacious control room. Among the equipment and decor are various nods to the past, none more prominent than the behemoth Neve 96-channel console with provenance from Paramount’s historic Stage M.
Besides being the home of the USC scoring sessions and the likes of Adele and Idina Menzel, the studio records a host of today’s top TV shows including “Da Vinci’s Demons,” ”Once Upon A Time,” “Constantine,” “The Simpsons” and “Marvel’s Agents of S.H.I.E.L.D.” to name just a few. At a recent “Person of Interest” scoring session, Curtis welcomed interviewer Linda A. Rapka and photographer Erik Rynearson to share how The Bridge in just a few short years finds itself as one of the hottest recording spots in town.
Tell me how you became involved in the recording industry.
I’ve been a lifelong musician, a trumpet player, since 5th grade in Oshkosh, Wisconsin. That would set the trajectory for my life in music. I still play a little bit, but I spend so much time here and am mainly at home with my family and three kids, ages 3, 5 and 7. That’s prime time for me. I want to give them as much time as I can while I can. That’s a luxury to have.
Read the full interview at listen-la.com
Concertmaster Katia Popov performs a violin solo during the recording session with the Hollywood Studio Symphony for Lior Rosner’s debut classical album, “Awake and Dream.” Photo courtesy of Lior Rosner
Since moving to Los Angeles from his native Israel, Lior Rosner has made a name for himself as a composer of rare versatility. Perhaps best known as the composer of the theme music for the “Ellen DeGeneres Show,” he has worked in film, TV and video games, and scored trailers and commercials for huge projects and brands.
A graduate of the Jerusalem Academy of Music and Dance, he studied composition and theory with composers Haim Alexander and Mark Kopytman. After graduating, he moved to Los Angeles to pursue a career as a film composer. During his many years of success in this medium, he has continued to compose classical music, including chamber works that have been played by various ensembles, among them the Armadillo String Quartet and the Pacific Composers Forum.
But concert music has always been dear to Rosner’s heart, and his artistry is on full display with his new collection of vocal and instrumental works, “Awake and Dream,” released on Bridge Records. Continue reading