Courses offered paired or individually
FREE to Local 47 members
Space is limited; RSVP required: email@example.com
June 18 – Aug. 6, 2016
Orchestration I covers the basics: ranges, strength and weaknesses of the instruments, transpositions and how to orchestrate clearly and effectively. Participants are introduced to orchestral instruments and their usage, with a focus on film music. Two areas are covered: instrumentation dealing with the construction, sound production, range, notation, and playing techniques of each instrument and orchestration which is the actual process of scoring music for orchestra. Groups of instruments examined include brass, strings, woodwinds, keyboards, harp, and percussion. Class sessions involve lectures, score study, instrumental demonstrations, and performance and discussion of student assignments.
Aug. 13 – Oct. 1, 2016
Students will continue the study of orchestration and elements of texture and form by looking at contemporary concert music, analysis of different composers’ methods of orchestration, and extensive study of film music. Using classic scores and scores he himself has recently worked on, Ludwin will instruct on cues and selections from Michael Giacchino, John Williams, Jerry Goldsmith, and Thomas Newman, among others. The ending course project is a recording of the students’ original compositions by the Symphony 47 orchestra.
For both classes, Ludwin provides access to online resources with an interactive website that includes essential class materials, scores and listening samples. Even if you have limited or no experience in orchestration, Ludwin strongly encourages you to attend his classes to learn this important craft that can boost your career.