Mayor Garcetti beams as he accepts his AFM Local 47 Honorary Membership card. Photo by Kori Chappell.
AFM Local 47 hosts the mayor in a ceremony to thank him for his support of Los Angeles musicians
LOS ANGELES, California (May 5, 2014) — The musicians union of Hollywood hosted Mayor Eric Garcetti in a ceremony last week naming him an Honorary Member of the American Federation of Musicians Local 47.
Mayor Garcetti personally attended the event at the Local 47 auditorium the evening of April 28. The members of AFM Local 47 thanked the mayor for supporting local musicians with his endorsement last September of our ListenLA campaign (listen-la.com), which highlights and promotes film and TV music scoring by union musicians. The membership also expressed their appreciation for Garcetti’s efforts to fight runaway production and keep film and TV work in Hollywood in supporting new legislation aimed at enhancing California’s production tax incentive program. Continue reading →
AFM Local 47 names Los Angeles Mayor an honorary member
by Linda A. Rapka
AFM Local 47 proudly welcomed Mayor Eric Garcetti to the April 28 General Membership Meeting to name him an honorary member of the musicians union in recognition of his dedication to our city’s musicians and for his efforts to keep film and TV work in Hollywood by fighting runaway production.
Local 47 Secretary/Treasurer Gary Lasley, “American Idol” music director Rickey Minor, Mayor Garcetti, President Vince Trombetta and Vice President John Acosta. Photos by Kori Chappell.
Motion Picture Academy debuts first time Oscar Concert
by Linda A. Rapka
The Academy of Motion Picture Arts and Sciences presented the first live concert of the year’s Oscar-nominated music at UCLA’s Royce Hall Feb. 27, three days before the 86th Annual Academy Awards.
Alternating between performances of the year’s nominees for best original score and best original song, the historic concert featured the 80-piece Academy Symphony Orchestra comprising some of Los Angeles’s finest studio musicians.
In the booth at EastWest Studios in Hollywood March 22 for one of the final episodes of “Mad Men” – engineer Jim Hall, composer David Carbonara, contractor John Rosenberg, and orchestrator Geoff Stradling. Photo: Linda A. Rapka
Composer David Carbonara fell in love with “Mad Men” years before anybody knew about the show.
He met screenwriter Matt Weiner in 1998, and the two became fast friends over music. In 2001, Weiner handed Carbonara a speculative script for his pilot about a show following the exploits (professional and otherwise) of overly confident womanizer Don Draper, head of the creative department at a growing Madison Avenue ad agency in the 1960s. Weiner told Carbonara if the show were ever picked up, he would do the music.
Robot-headed electronic duo Daft Punk nabbed top honors at the 56th Annual Grammys, taking home Record of the Year for the hit “Get Lucky” and Album of the Year for “Random Access Memories.” By the end of the visually and musically dazzling ceremony, RecordingAcademy voters awarded the French pair a total of four gramophone-shaped trophies.
Over a two-year period in 2011 and 2012, the award-winning music was recorded at three historic Hollywood studios: Capitol, Conway and Hensen. The all-union orchestra, led by Doug Walter and assembled by music contractor Joe Soldo, featured an impressive ensemble of L.A.’s premiere musicians.
The Emmy-nominated score to the Netflix original series “House of Cards” features dramatic, atmospheric music from Los Angeles composer Jeff Beal
“Of all of the places to record my scores, my #1 choice is always here in Los Angeles,” Beal says. “The L.A. studio players are experienced, smart and professional. They are quick, and agile at breathing life and drama into my work. Their musicianship comprises an intimate mastery of the techniques and skills required in today’s studio playing.”
The orchestra contracted for each session by David Low (who also plays cello) includes more than a dozen of Los Angeles’s premiere string performers whose rich artistry adds that extra something special to Beal’s intriguing scores.