Air Travel Now Officially Sweeter for Musicians

Airplane

Photo by xlibber/Flickr Creative Commons

Transportation Authority releases final ruling on musical instruments onboard U.S. air carriers

On Dec. 30, 2014, the U.S. Department of Transportation released the long-awaited final administrative rule which fully implements section 403 of the FAA Reauthorization Act of 2012, the law authorizing musical instruments as carry-on baggage on board U.S. air carriers.

This historic accomplishment was led by the American Federation of musicians and made possible through efforts by members of Congress who are longtime AFM allies, and officers and rank-and-file members of Local 161-710 in Washington, D.C.

The final ruling pertaining to musical instruments can be read at www.dot.gov.

When traveling by air with your musical instrument, the AFM strongly recommends that you take a copy of this TSA letter & FAA rules you: FAA letter 2015.pdf

‘Into the Woods’ Enjoys Smash Run at Annenberg

The entire cast and orchestra of “Into the Woods” on the stage of the Wallis Annenberg Center. The orchestra included AFM musicians from Oregon and Los Angeles, contracted by Dan Savant and led by Martin Majkut, who performed front and center on the stage during the entire three-hour performance. Photo: Kevin Parry

The entire cast and orchestra of “Into the Woods” on the stage of the Wallis Annenberg Center. The orchestra included AFM musicians from Oregon and Los Angeles, contracted by Dan Savant and led by Martin Majkut, who performed front and center on the stage during the entire three-hour performance. Photo: Kevin Parry

The Oregon Shakespeare Festival production of hit musical “Into the Woods” took Beverly Hills by storm during its run at the new Wallis Annenberg Center for the Performing Arts.

Martin Majkut conducted a small, talented orchestra contracted by Dan Savant comprising AFM members from Los Angeles and Oregon. The musicians were featured front and center on the stage during the entire three-hour performance. Continue reading

Work Dues Delinquency and Suspension

At the May 1, 2012 Executive Board meeting, the Board passed the following motion:

1) Local 47 members whose work dues delinquency exceeds $500 shall be suspended; and

2) Non-Local 47 members whose work dues delinquency exceeds $500 shall be referred to the IEB as provided in the AFM Bylaws.

In order to reinstate membership, a $75 reinstatement fee will be assessed.

Symphony in an Airport

Emmanuel Fratianni conducts the 70-piece Hollywood Scoring Orchestra at the preview opening gala of the new Tom Bradley International Terminal at LAX on June 20, 2013. Photos courtesy of Laurie Robinson

Emmanuel Fratianni conducts the 70-piece Hollywood Scoring Orchestra at the preview opening gala of the new Tom Bradley International Terminal at LAX on June 20, 2013. Photos courtesy of Laurie Robinson

(#TBT Throwback Thursday post: This article originally appeared in the August 2013 issue of the AFM Local 47 Overture.)

70-piece Hollywood Scoring Orchestra plays once-in-a-lifetime gig at new LAX Tom Bradley International Terminal

by Linda A. Rapka

In what marked possibly the first world premiere of a symphonic poem ever to take place at an airport, the Hollywood Scoring Orchestra provided a once-in-a-lifetime musical experience at Los Angeles International Airport June 20 with the debut of “Portale — A Symphonic Poem,” especially composed by Emmanuel Fratianni and Laurie Robinson. Continue reading

Then and Now: The Evolution of Overture

Overture front page covers from the Local 47 Archive

Overture front page covers from the Local 47 Archive

by Linda A. Rapka

From newsletter to magazine to newspaper — and soon to be digital electronic publication and print quarterly color magazine — the publication has undergone quite a few transformations since its inception. By venturing down into the Local 47 archives, we can take a journey back in time to discover how the Overture began all those years ago. Continue reading

Stop the Presses! Overture Going Digital

overture online

Don’t miss an issue! Sign up at bit.ly/L47overture for monthly email alerts when new Overtures are posted

With the January 2015 issue of Overture comes a special announcement: The official publication of AFM Local 47 is going digital!

Starting next month, we are re-launching as a monthly electronic publication. In addition to continuing to offer union news and musicians’ stories monthly in this new and wider-reaching online format, we will continue to also preserve the legacy of print by providing Local 47 members with a newly redesigned, full-color magazine each quarter. Continue reading

Musician, Heal Thyself: A Self-Help Guide for Hornists

An Interview with Author Dr. Kristy M. Morrell by Katie Upton

musician heal thyself

In October 2014, Glen Lyon Books released “Musician, Heal Thyself,” a book by Dr. Kristy M. Morrell of the Los Angeles Chamber Orchestra and professor at the University of Southern California Thornton School of Music. Tagged as a “self-help guide for hornists”, this book is written to empower the horn player, help them reevaluate the way they approach the horn, and identify potential issues holding them back. Many of us spent our college years looking for the hypothetical “golden teacher,” the one that would lead us to success, but this book affirms that you are your most important teacher and shows you how to make every practice session the best lesson you will ever have. On Oct. 24, Katie Upton met with Dr. Morrell outside of her office on the USC campus for the following interview.

Many people are content sharing their ideas by teaching lessons or masterclasses. What was your driving force for taking on such a large project as writing a book?

I have been planning to write a book for several years; it has been a long-term goal of mine. I finally decided it was time and I just sat down and did it. I had to keep regular hours of writing and give myself goals to finally finish it.

I imagine that students can take this book into the practice room and use it to help them figure out how to solve problems. I was going for convenient and concise because when I’m practicing, that’s what I want. Here’s the problem, what am I going to do about it? Continue reading